Abstract
This chapter examines the representation of trauma, specifically the impact of the loss of children on mothers and their families, in contemporary women's middlebrow fiction. Examining three examples of the genre, it problematizes the dominant trauma aesthetic with its emphasis on aporia, difficulty and non-communicability, and argues that women's trauma narratives offer an alternative mode of working through trauma, one which privileges concordance over discordance, and seeks a more restitutive reading experience than is available in the canonical trauma novel.
| Original language | English |
|---|---|
| Title of host publication | Trauma Narratives and Herstory |
| Editors | Sonya Andermahr, Silvia Pellicer-Ortin |
| Place of Publication | Basingstoke |
| Publisher | Palgrave Macmillan Ltd. |
| Chapter | 2 |
| Pages | 13-29 |
| Number of pages | 16 |
| ISBN (Electronic) | 9781137268358 |
| ISBN (Print) | 9781137268341 |
| Publication status | Published - 1 Jan 2013 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
Keywords
- Trauma studies
- women's trauma narratives
- feminism
- herstory
- autobiography
- comics
- film
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