Abstract
This chapter sets out to define Gothic camp and to examine its feminist potential and its relation to Comic Gothic. It concludes that Camp provides a means of understanding moments of humour in the Gothic characterised by a queer form of self-reflexivity. This, in its turn, modulates the affective responses to pleasurable fear and interrogates Comic Gothic with a fresh critical eye. The feminist possibilities of such a formulation of Comic Gothic as feminist camp Gothic are therefore a continuation of those additive and accretive qualities which characterise camp as a loving reclamation of the detritus left on the Gothic cusp.
| Original language | English |
|---|---|
| Title of host publication | Comic Gothic |
| Subtitle of host publication | An Edinburgh Companion |
| Editors | Avril Horner, Sue Zlosnik |
| Place of Publication | Edinburgh |
| Publisher | Edinburgh University Press |
| Chapter | 16 |
| Pages | 239-254 |
| Number of pages | 16 |
| Edition | 1st |
| ISBN (Electronic) | 9781399505772, 9781399505765 |
| ISBN (Print) | 9781399505772, 9781399505765, 978-1-3995-0575-8, 1399505750 |
| DOIs | |
| Publication status | Published - 30 Jun 2024 |
Publication series
| Name | Edinburgh Companions to the Gothic |
|---|---|
| Publisher | Edinburgh University Press |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
Keywords
- Queer
- Gothic
- Fear
- Pleasure
- Humour
- Comedy
- Feminism
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