I Can Still Hear You

Michelle Keegan

I Can Still Hear You

Art & Design

Research output: Contribution to Journal › Article › peer-review

Abstract

I Can Still Hear You is a series of etchings on copper made during 2018/19 by Michelle Keegan, Senior Lecturer in Printmaking at the University of Northampton. Her creative process is centred on the Sound Mirrors located in Denge on Romney Marsh in Kent. These are giant concrete structures hidden in a desolate and austere landscape that were the precursors to the birth of radar. Keegan examines her relationship with place and being permanently in transit. Keegan writes of her relationship with etching, and gives us an insight into the spontaneity of her approach to printmaking. The work explores conversations of loss and a remapping of space.

Original language	English
Article number	7
Journal	IMPACT
Issue number	2
Publication status	Published - 1 Dec 2020

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https://www.impactprintmaking.com/article/i-can-still-hear-you_autumn_2020/Licence: CC BY

Cite this

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title = "I Can Still Hear You",

abstract = "I Can Still Hear You is a series of etchings on copper made during 2018/19 by Michelle Keegan, Senior Lecturer in Printmaking at the University of Northampton. Her creative process is centred on the Sound Mirrors located in Denge on Romney Marsh in Kent. These are giant concrete structures hidden in a desolate and austere landscape that were the precursors to the birth of radar. Keegan examines her relationship with place and being permanently in transit. Keegan writes of her relationship with etching, and gives us an insight into the spontaneity of her approach to printmaking. The work explores conversations of loss and a remapping of space.",

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AB - I Can Still Hear You is a series of etchings on copper made during 2018/19 by Michelle Keegan, Senior Lecturer in Printmaking at the University of Northampton. Her creative process is centred on the Sound Mirrors located in Denge on Romney Marsh in Kent. These are giant concrete structures hidden in a desolate and austere landscape that were the precursors to the birth of radar. Keegan examines her relationship with place and being permanently in transit. Keegan writes of her relationship with etching, and gives us an insight into the spontaneity of her approach to printmaking. The work explores conversations of loss and a remapping of space.

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I Can Still Hear You

Abstract

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