Nationalism and postcolonialism in Indian science fiction: Bollywood's Koi … Mil Gaya (2003)

Dominic Alessio, Jessica Langer

Research output: Contribution to journalArticleResearchpeer-review

Abstract

Koi … Mil Gaya (2003), a Hindi-language Bollywood musical set in the near future and concerning a scientist who contacts extraterrestrials, is Hindi cinema's first big-budget attempt at science fiction. It is worthy of note for several reasons. The film, which is filled with references to Hindu gods and mythologies, 'aligns itself with, borrows from, and reshapes the traditions of science fiction' (Batty and Markley 2002), using strategies associated with postcolonial cultural production. It also subverts many of the conventions of Hollywood science fiction cinema, using similar aspects of film form for different purposes. However, Koi … Mil Gaya occupies a contested postcolonial space, as its alignment with the recent rise of Hindu nationalism in India creates a kind of colonial order in itself; one which in the end re-inscribes the hierarchical systems of oppression that are associated with colonialism.
Original languageEnglish
JournalNew Cinemas: Journal of Contemporary Film
Volume5
Issue number3
DOIs
Publication statusPublished - 1 Dec 2007

Fingerprint

Nationalism
Postcolonialism
Bollywood
Science Fiction
Cinema
Extraterrestrial
Rise
Alignment
Cultural Production
India
Language
Mythology
Deity
Hindu Nationalism
Hollywood
Oppression
Colonialism
Colonies

Keywords

  • Bollywood
  • science fiction
  • modernity
  • postcolonialism
  • extreme nationalism
  • India

Cite this

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Nationalism and postcolonialism in Indian science fiction: Bollywood's Koi … Mil Gaya (2003). / Alessio, Dominic; Langer, Jessica.

In: New Cinemas: Journal of Contemporary Film, Vol. 5, No. 3, 01.12.2007.

Research output: Contribution to journalArticleResearchpeer-review

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