The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration

Andrew Hewitt, Mel Jordan

    Research output: Contribution to conference typesPaperResearchpeer-review

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    Abstract

    Existing qualitative studies into the value of ‘participation in the arts’ tend to be from a traditional empirical-sociological perspective and do not take into account the value of these projects as part of urban studies strategies, or the art historical concerns and contexts of art practice. Other studies are located from within an art history discipline where scholarship is focused on participatory art practices that accomplish a significant work of art, discounting the social relations attained during the project and resorting to a traditional art historical analysis of discrete objects. We believe that these approaches fail to capture the complexity, significance and value of social art practices. Moreover many interdisciplinary projects look at the question of value in participatory artworks by proposing measuring tools or evaluation research, which we think tend towards ‘quantifying’ value, rather than mapping the diversity of meanings the idea of ‘value’ could have. In this paper we claim that is crucial to understand artworks as having various forms of value depending on their context and function.
    Original languageEnglish
    Publication statusPublished - 23 Jun 2017
    EventETHNOARTS: 
Ethnographic Explorations of the Arts and Education - 
Faculdade de Letras da Universidade do Porto, Portugal
    Duration: 23 Jun 2017 → …

    Conference

    ConferenceETHNOARTS: 
Ethnographic Explorations of the Arts and Education
    Period23/06/17 → …

    Fingerprint

    Art
    Interdisciplinary Collaboration
    Artwork
    Research Evaluation
    Participation
    Art History
    Works of Art
    Historical Analysis
    Qualitative Study
    Social Relations
    Urban Studies

    Cite this

    Hewitt, A., & Jordan, M. (2017). The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration. Paper presented at ETHNOARTS: 
Ethnographic Explorations of the Arts and Education, .
    Hewitt, Andrew ; Jordan, Mel. / The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration. Paper presented at ETHNOARTS: 
Ethnographic Explorations of the Arts and Education, .
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    abstract = "Existing qualitative studies into the value of ‘participation in the arts’ tend to be from a traditional empirical-sociological perspective and do not take into account the value of these projects as part of urban studies strategies, or the art historical concerns and contexts of art practice. Other studies are located from within an art history discipline where scholarship is focused on participatory art practices that accomplish a significant work of art, discounting the social relations attained during the project and resorting to a traditional art historical analysis of discrete objects. We believe that these approaches fail to capture the complexity, significance and value of social art practices. Moreover many interdisciplinary projects look at the question of value in participatory artworks by proposing measuring tools or evaluation research, which we think tend towards ‘quantifying’ value, rather than mapping the diversity of meanings the idea of ‘value’ could have. In this paper we claim that is crucial to understand artworks as having various forms of value depending on their context and function.",
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    Hewitt, A & Jordan, M 2017, 'The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration' Paper presented at ETHNOARTS: 
Ethnographic Explorations of the Arts and Education, 23/06/17, .

    The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration. / Hewitt, Andrew; Jordan, Mel.

    2017. Paper presented at ETHNOARTS: 
Ethnographic Explorations of the Arts and Education, .

    Research output: Contribution to conference typesPaperResearchpeer-review

    TY - CONF

    T1 - The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration

    AU - Hewitt, Andrew

    AU - Jordan, Mel

    PY - 2017/6/23

    Y1 - 2017/6/23

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    AB - Existing qualitative studies into the value of ‘participation in the arts’ tend to be from a traditional empirical-sociological perspective and do not take into account the value of these projects as part of urban studies strategies, or the art historical concerns and contexts of art practice. Other studies are located from within an art history discipline where scholarship is focused on participatory art practices that accomplish a significant work of art, discounting the social relations attained during the project and resorting to a traditional art historical analysis of discrete objects. We believe that these approaches fail to capture the complexity, significance and value of social art practices. Moreover many interdisciplinary projects look at the question of value in participatory artworks by proposing measuring tools or evaluation research, which we think tend towards ‘quantifying’ value, rather than mapping the diversity of meanings the idea of ‘value’ could have. In this paper we claim that is crucial to understand artworks as having various forms of value depending on their context and function.

    M3 - Paper

    ER -

    Hewitt A, Jordan M. The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration. 2017. Paper presented at ETHNOARTS: 
Ethnographic Explorations of the Arts and Education, .