Abstract
In this symposium presentation I will explore some of the key themes around ownership of historical narrative related to Punk and examine:
Punk as a ‘collective’ shared memory constructed from mainly collaborative events, so individual ownership is contentious
Punk as an evolving ‘methodology’ of resistance
Punk as being in ‘context’ to other lived experiences which helped shape its specific nature in different places
Control of cultural production normally dominated by various forms of ‘media’
DIY punk as an alternative site of resistance and negotiation to this dominance and control
Punk as a ‘collective’ shared memory constructed from mainly collaborative events, so individual ownership is contentious
Punk as an evolving ‘methodology’ of resistance
Punk as being in ‘context’ to other lived experiences which helped shape its specific nature in different places
Control of cultural production normally dominated by various forms of ‘media’
DIY punk as an alternative site of resistance and negotiation to this dominance and control
| Original language | English |
|---|---|
| Place of Publication | Paris |
| Publisher | École des hautes études en sciences sociales |
| Media of output | Online |
| Publication status | Published - 14 Feb 2018 |
| Event | Transversal Approaches and Methodologies - École des Hautes Études en Sciences Sociales, Paris, France Duration: 14 Feb 2018 → 15 Feb 2018 https://www.ehess.fr/en |
Keywords
- Punk Methodology
- DIY video
- Punk approaches
- cultural capital
- cultural currency
- cultural history
- Documentary
- N Ireland